Warner Music Group Corp. today announced its fourth-quarter and
full-year financial results for the periods ended
September 30, 2023.
“We delivered on our promise of second-half improvement, and
reached over $6 billion in annual revenue for the first time in
WMG’s history,” said Robert Kyncl, CEO, Warner Music Group. “As the
music ecosystem is recognizing the value of premium content and
emerging markets continue to gain traction, our industry is healthy
and growing. With these tailwinds at our back, we’ve been working
hard to build a WMG that will excel in the music industry of
tomorrow and look forward to bringing you incredible music in 2024
from our extraordinary artists and songwriters.”
“Our performance in the quarter was underpinned by a solid
release slate and momentum in our Recorded Music streaming growth,”
said Bryan Castellani, CFO, Warner Music Group. “This fueled our
second-half improvement which, combined with our disciplined cost
management, resulted in robust Adjusted OIBDA growth and margin
expansion for the full year. We are excited about the opportunities
that lie ahead for WMG to capitalize on favorable industry trends
and drive shareholder value through profitable growth and healthy
cash flow conversion in 2024 and beyond.”
Total WMG
Total WMG
Summary Results |
|
|
|
|
|
|
|
|
|
|
(dollars
in millions) |
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
|
(audited) |
|
(audited) |
|
|
Revenue |
$ |
1,586 |
|
$ |
1,497 |
|
6 |
% |
|
$ |
6,037 |
|
$ |
5,919 |
|
2 |
% |
Recorded Music revenue |
|
1,291 |
|
|
1,244 |
|
4 |
% |
|
|
4,955 |
|
|
4,966 |
|
— |
% |
Music Publishing revenue |
|
298 |
|
|
254 |
|
17 |
% |
|
|
1,088 |
|
|
958 |
|
14 |
% |
Digital revenue |
|
1,068 |
|
|
989 |
|
8 |
% |
|
|
3,989 |
|
|
3,866 |
|
3 |
% |
Operating income |
|
212 |
|
|
163 |
|
30 |
% |
|
|
790 |
|
|
714 |
|
11 |
% |
Adjusted operating
income(1) |
|
238 |
|
|
183 |
|
30 |
% |
|
|
903 |
|
|
810 |
|
11 |
% |
OIBDA(1) |
|
291 |
|
|
245 |
|
19 |
% |
|
|
1,122 |
|
|
1,053 |
|
7 |
% |
Adjusted OIBDA(1) |
|
317 |
|
|
265 |
|
20 |
% |
|
|
1,235 |
|
|
1,149 |
|
7 |
% |
Net income |
|
154 |
|
|
150 |
|
3 |
% |
|
|
439 |
|
|
555 |
|
-21 |
% |
Adjusted net income(1) |
|
180 |
|
|
170 |
|
6 |
% |
|
|
552 |
|
|
651 |
|
-15 |
% |
Net cash provided by operating
activities |
|
338 |
|
|
406 |
|
-17 |
% |
|
|
687 |
|
|
742 |
|
-7 |
% |
Free Cash Flow |
|
300 |
|
|
368 |
|
-18 |
% |
|
|
560 |
|
|
607 |
|
-8 |
% |
|
|
|
|
|
|
|
|
|
|
|
|
(1) See
"Supplemental Disclosures Regarding Non-GAAP Financial Measures" at
the end of this release for details regarding these measures. |
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
|
(audited) |
|
(audited) |
|
|
Adjusted EBITDA(1) |
$ |
340 |
|
$ |
276 |
|
23 |
% |
|
$ |
1,311 |
|
$ |
1,196 |
|
10 |
% |
|
|
|
|
|
|
|
|
|
|
|
|
(1) See
"Supplemental Disclosures Regarding Non-GAAP Financial Measures" at
the end of this release for details regarding these measures. |
Fourth-Quarter Results
Revenue was up 5.9% (or 4.5% in constant currency). Digital
revenue increased 8.0% (or 7.1% in constant currency), which
includes the impact in the prior-year quarter of $38 million in
downloads and other digital revenue from the settlement of certain
copyright infringement cases (the “Copyright Settlement”).
Streaming revenue increased 12.6% (or 11.6% in constant currency).
Recorded Music streaming revenue increased by 9.6% (or 8.9% in
constant currency). Growth in Recorded Music streaming revenue
increased due to a stronger release schedule and growth in
ad-supported revenue, which includes the impact of the Company’s
TikTok renewal. Music Publishing streaming revenue increased by
28.4% (or 25.8% in constant currency), which includes a benefit in
the quarter and the prior-year quarter of $17 million and $3
million, respectively, resulting from a ruling by the Copyright
Royalty Board in Phonorecords III upholding higher percentage of
revenue U.S. mechanical royalty rates (the “CRB Rate Benefit”).
Revenue increases in the quarter were also driven by growth in
Recorded Music licensing and physical revenue and Music Publishing
mechanical, performance and synchronization revenue. Recorded Music
artist services and expanded-rights revenue was lower on an
as-reported basis and in constant currency. Excluding the Copyright
Settlement and the CRB Rate Benefit, revenue increased 7.8% (or
6.3% in constant currency).
Operating income was $212 million compared to $163 million in
the prior-year quarter. OIBDA was $291 million, compared to $245
million in the prior-year quarter, an increase of 18.8% (or 16.9%
in constant currency), and OIBDA margin increased 1.9 percentage
points to 18.3% from 16.4% in the prior-year quarter (the same in
constant currency). The increases in operating income, OIBDA and
OIBDA margin were primarily due to strong operating performance,
the favorable impact of exchange rates and $9 million of savings
from the previously announced restructuring plan (the
“Restructuring Plan”), partially offset by revenue mix and $10
million of incremental investment in technology in the quarter and
$29 million from the Copyright Settlement in the prior-year
quarter.
Adjusted operating income, Adjusted OIBDA and Adjusted net
income exclude expenses related to restructuring and other
transformation initiatives and non-cash stock-based compensation
and other related expenses in both the quarter and the prior-year
quarter. In the quarter, costs associated with the departure of our
previous CEO and CFO (the “Executive Transition Costs”) are also
excluded from these measures. Adjusted EBITDA excludes the
aforementioned items and includes expected savings resulting from
transformation initiatives and the pro forma impact of certain
specified transactions. See below for calculations and
reconciliations of Adjusted operating income, Adjusted OIBDA,
Adjusted net income and Adjusted EBITDA.
Adjusted OIBDA increased 19.6% from $265 million to $317 million
(or 17.8% in constant currency) and Adjusted OIBDA margin increased
2.3 percentage points to 20.0% from 17.7% in the prior-year quarter
(the same in constant currency) primarily due to the same factors
affecting OIBDA. Excluding the Copyright Settlement and the CRB
Rate Benefit, Adjusted OIBDA increased 33.2% (or 31.0% in constant
currency) and Adjusted OIBDA margin increased 3.8 percentage points
to 19.9% from 16.1% in the prior-year quarter (or increased 3.7
percentage points to 19.9% from 16.2% in constant currency).
Adjusted operating income increased 30.1% from $183 million to $238
million due to the same factors affecting Adjusted OIBDA, as well
as lower amortization expenses due to certain intangible assets
becoming fully amortized, partially offset by higher depreciation
expenses due to capital spending.
Net income was $154 million compared to $150 million in the
prior-year quarter. Adjusted net income was $180 million compared
to $170 million in the prior-year quarter. The increases in net
income and Adjusted net income were primarily due to higher
operating income in the quarter and higher unrealized losses
related to certain investments in the prior-year quarter, partially
offset by the unfavorable impact of exchange rates on the Company’s
Euro-denominated debt and an increase in interest expense and
income tax expense in the quarter.
Basic and Diluted earnings per share were $0.29 for both the
Class A and Class B shareholders due to the net income attributable
to the Company in the quarter of $154 million.
As of September 30, 2023, the Company reported a cash
balance of $641 million, total debt of $3.964 billion and net debt
(defined as total debt, net of deferred financing costs, premiums
and discounts, minus cash and equivalents) of $3.323 billion.
Cash provided by operating activities decreased 17% to $338
million from $406 million in the prior-year quarter. The decrease
was largely the result of timing of working capital, partially
offset by higher operating performance. Capital expenditures
remained the same at $38 million. Free Cash Flow, as defined below,
decreased 18% to $300 million from $368 million in the prior-year
quarter.
Full-Year Results
Total revenue increased 2.0% (or 3.9% in constant currency). As
previously disclosed, the prior year included an additional week,
primarily reflected in Recorded Music streaming revenue. Digital
revenue increased 3.2% (or 4.9% in constant currency), which
includes the impact in the prior year of $38 million in downloads
and other digital revenue from the Copyright Settlement. Total
streaming revenue increased 4.9% (or 6.7% in constant currency)
driven by growth across Recorded Music and Music Publishing.
Recorded Music streaming revenue increased by 2.0% (or 3.9% in
constant currency), which reflects a lighter release schedule and
the market-related slowdown in ad-supported revenue in the first
half of the year, as well as the impact of an additional week in
the prior year. Music Publishing streaming revenue increased by
21.7% (or 22.6% in constant currency), which includes the impact in
the year and the prior year of $24 million and $20 million,
respectively, from the CRB Rate Benefit. Revenue increases in the
year were also driven by growth in Recorded Music licensing revenue
and Music Publishing performance and mechanical revenue. Recorded
Music physical and artist services and expanded-rights revenue and
Music Publishing synchronization revenue were lower on an
as-reported basis and in constant currency. Excluding the impact of
an additional week in the prior year, the Copyright Settlement and
the CRB Rate Benefit, revenue increased 3.9% (or 5.9% in constant
currency).
Operating income was $790 million compared to $714 million in
the prior year. OIBDA was $1,122 million, compared to $1,053
million in the prior year, an increase of 6.6% (or 9.6% in constant
currency), and OIBDA margin increased 0.8 percentage points to
18.6% from 17.8% in the prior year (or increased 1.0 percentage
point to 18.6% from 17.6% in constant currency). The increases in
operating income, OIBDA and OIBDA margin were primarily due to the
same factors affecting Adjusted OIBDA discussed below and $41
million of net gain on sale of the Company’s interest in certain
sound recording rights, partially offset by $40 million of costs
related to the Restructuring Plan, $10 million of incremental
non-cash stock-based compensation and other related expenses
primarily related to the departure of our previous CEO, $7 million
of the Executive Transition Costs and $2 million of technology
severance costs.
Adjusted operating income, Adjusted OIBDA and Adjusted net
income exclude expenses related to restructuring and other
transformation initiatives and non-cash stock-based compensation
and other related expenses in both the year and the prior year. In
the year, the net gain on sale of the Company’s interest in certain
sound recording rights and the Executive Transition Costs are also
excluded from these measures. Adjusted EBITDA excludes these items
and includes expected savings resulting from transformation
initiatives and the pro forma impact of certain specified
transactions. See below for calculations and reconciliations of
Adjusted operating income, Adjusted OIBDA, Adjusted net income and
Adjusted EBITDA.
Adjusted OIBDA increased 7.5% from $1,149 million to $1,235
million (or 10.3% in constant currency) and Adjusted OIBDA margin
increased 1.1 percentage points to 20.5% from 19.4% in the prior
year (or increased 1.2 percentage points to 20.5% from 19.3% in
constant currency). The increases in Adjusted OIBDA and Adjusted
OIBDA margin were primarily due to strong operating performance,
the favorable impact of exchange rates and $19 million of savings
from the Restructuring Plan, partially offset by revenue mix, $15
million of incremental overhead in technology in the year and the
impact of an additional week, $29 million from the Copyright
Settlement and the $10 million impact of the mark-to-market
adjustment of an earn-out liability related to an acquisition, all
in the prior year. Excluding the impact of an additional week in
the prior year, the Copyright Settlement and the CRB Rate Benefit,
Adjusted OIBDA increased 14.2% (or 17.3% in constant currency) and
Adjusted OIBDA margin increased 1.8 percentage points to 20.4% from
18.6% in the prior year (or increased 1.9 percentage points to
20.4% from 18.5% in constant currency). Adjusted operating income
increased 11.5% from $810 million to $903 million due to the same
factors affecting Adjusted OIBDA, as well as lower amortization
expenses due to certain intangible assets becoming fully amortized,
partially offset by higher depreciation expenses due to capital
spending.
Net income was $439 million compared to $555 million in the
prior year. Adjusted net income was $552 million compared to $651
million in the prior year. The decreases in net income and Adjusted
net income were primarily due to the unfavorable impact of exchange
rates on the Company’s Euro-denominated debt, an increase in
interest expense and loss on extinguishment of debt, partially
offset by higher operating income in the year, a decrease in income
tax expense in the year and higher realized and unrealized losses
related to certain investments in the prior year.
Basic and Diluted earnings per share were $0.82 for both the
Class A and Class B shareholders due to the net income attributable
to the Company in the year of $439 million.
Net debt (defined as total debt, net of deferred financing
costs, premiums and discounts, minus cash and equivalents) at the
end of the year was $3.323 billion compared to $3.148 billion at
the end of the prior year.
Cash provided by operating activities decreased 7% to $687
million from $742 million in the prior year. The change was
primarily due to timing of working capital, higher cash interest
payments due to higher debt balance and higher interest on variable
rate debt and higher cash taxes due to lower available foreign tax
credits to shield U.S. taxable income coupled with higher
forecasted taxable income. Operating cash flow conversion was 56%
of Adjusted OIBDA. Capital expenditures decreased 6% to $127
million from $135 million in the prior year. Free Cash Flow, as
defined below, decreased 8% to $560 million from $607 million in
the prior year.
Recorded Music
Recorded
Music Summary Results |
|
|
|
|
|
|
|
|
|
|
(dollars
in millions) |
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
|
(unaudited) |
|
(unaudited) |
|
|
Revenue |
$ |
1,291 |
|
$ |
1,244 |
|
4 |
% |
|
$ |
4,955 |
|
$ |
4,966 |
|
— |
% |
Digital revenue |
|
877 |
|
|
830 |
|
6 |
% |
|
|
3,322 |
|
|
3,305 |
|
1 |
% |
Operating income |
|
234 |
|
|
165 |
|
42 |
% |
|
|
875 |
|
|
796 |
|
10 |
% |
Adjusted operating
income(1) |
|
236 |
|
|
172 |
|
37 |
% |
|
|
888 |
|
|
819 |
|
8 |
% |
OIBDA(1) |
|
279 |
|
|
219 |
|
27 |
% |
|
|
1,080 |
|
|
1,023 |
|
6 |
% |
Adjusted OIBDA(1) |
|
281 |
|
|
226 |
|
24 |
% |
|
|
1,093 |
|
|
1,046 |
|
4 |
% |
|
|
|
|
|
|
|
|
|
|
|
|
(1) See
"Supplemental Disclosures Regarding Non-GAAP Financial Measures" at
the end of this release for details regarding these measures. |
Recorded
Music Revenue |
|
|
|
|
|
|
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
For the Three Months Ended September 30, 2022 |
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
For the Twelve Months Ended September 30,
2022 |
|
As reported |
|
As reported |
|
Constant |
|
As reported |
|
As reported |
|
Constant |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Digital |
$ |
877 |
|
$ |
830 |
|
$ |
836 |
|
$ |
3,322 |
|
$ |
3,305 |
|
$ |
3,245 |
Physical |
|
130 |
|
|
123 |
|
|
123 |
|
|
507 |
|
|
563 |
|
|
544 |
Total Digital and Physical |
|
1,007 |
|
|
953 |
|
|
959 |
|
|
3,829 |
|
|
3,868 |
|
|
3,789 |
Artist services and
expanded-rights |
|
189 |
|
|
204 |
|
|
212 |
|
|
744 |
|
|
767 |
|
|
755 |
Licensing |
|
95 |
|
|
87 |
|
|
89 |
|
|
382 |
|
|
331 |
|
|
323 |
Total Recorded
Music |
$ |
1,291 |
|
$ |
1,244 |
|
$ |
1,260 |
|
$ |
4,955 |
|
$ |
4,966 |
|
$ |
4,867 |
Fourth-Quarter Results
Recorded Music revenue was up 3.8% (or 2.5% in constant
currency). Digital revenue was up 5.7% (or 4.9% in constant
currency), which includes the impact in the prior-year quarter of
$31 million in downloads and other digital revenue from the
Copyright Settlement. Streaming revenue was up 9.6% (or 8.9% in
constant currency). Growth in streaming revenue increased due to a
stronger release schedule and growth in ad-supported revenue, which
includes the impact of the Company’s TikTok renewal. Licensing
revenue increased 9.2% (or 6.7% in constant currency), with growth
in broadcast fees and other licensing. Physical revenue was up 5.7%
(the same in constant currency) primarily due to stronger
performance in the United States. Artist services and
expanded-rights revenue decreased 7.4% (or 10.8% in constant
currency) primarily due to lower merchandising revenue, partially
offset by an increase in concert promotion revenue. Excluding the
Copyright Settlement, revenue increased 6.4% (or 5.0% in constant
currency). The quarter included successful releases from the Barbie
soundtrack, FIFTY FIFTY, Ed Sheeran, MISAMO and Zach Bryan.
Recorded Music operating income was $234 million, up from $165
million in the prior-year quarter and operating margin was up 4.8
percentage points to 18.1% versus 13.3% in the prior-year quarter.
OIBDA increased 27.4% to $279 million from $219 million in the
prior-year quarter (or 26.2% in constant currency) and OIBDA margin
increased 4.0 percentage points to 21.6% from 17.6% in the
prior-year quarter (or increased 4.1 percentage points to 21.6%
from 17.5% in constant currency). Adjusted OIBDA increased 24.3%
from $226 million to $281 million (or 23.2% in constant currency)
with Adjusted OIBDA margin up 3.6 percentage points to 21.8% from
18.2% in the prior-year quarter (or increased 3.7 percentage points
to 21.8% from 18.1% in constant currency). The increases in OIBDA,
Adjusted OIBDA, OIBDA margin and Adjusted OIBDA margin were
primarily driven by strong operating performance, $9 million of
savings from the Restructuring Plan and the favorable impact of
exchange rates, partially offset by revenue mix and $15 million
from the Copyright Settlement in the prior-year quarter. Excluding
the Copyright Settlement, Adjusted OIBDA increased 33.2% (or 31.9%
in constant currency) and Adjusted OIBDA margin increased 4.4
percentage points to 21.8% from 17.4% in the prior-year quarter (or
increased 4.5 percentage points to 21.8% from 17.3% in constant
currency).
Full-Year Results
Recorded Music revenue was down 0.2% (or up 1.8% in constant
currency). Digital revenue was up 0.5% (or 2.4% in constant
currency), which includes the impact in the prior year of $31
million in downloads and other digital revenue from the Copyright
Settlement. Streaming revenue was up 2.0% (or 3.9% in constant
currency). Adjusted for the impact of an additional week in the
prior year, Recorded Music streaming revenue was up 4.0% (or 5.8%
in constant currency), which reflects a lighter release schedule
and the market-related slowdown in ad-supported revenue in the
first half of the year. Licensing revenue increased 15.4% (or 18.3%
in constant currency), which includes growth across broadcast fees,
synchronization and other licensing revenue. Physical revenue was
down 9.9% (or 6.8% in constant currency) primarily due to a lighter
release schedule in the first half of the year. Artist services and
expanded-rights revenue was down 3.0% (or 1.5% in constant
currency), due to a decrease in merchandising and advertising
revenue, partially offset by an increase in concert promotion
revenue. Excluding the impact of an additional week in the prior
year and the Copyright Settlement, revenue increased 1.9% (or 4.0%
in constant currency). The year included successful releases from
Ed Sheeran, Zach Bryan, Linkin Park and Dua Lipa.
Recorded Music operating income was $875 million, up from $796
million in the prior year and operating margin was up 1.7
percentage points to 17.7% versus 16.0% in the prior year. OIBDA
increased 5.6% to $1,080 million from $1,023 million (or 8.5% in
constant currency) in the prior year and OIBDA margin increased 1.2
percentage points to 21.8% from 20.6% in the prior year (or
increased 1.4 percentage points to 21.8% from 20.4% in constant
currency). Adjusted OIBDA increased 4.5% from $1,046 million to
$1,093 million (or 7.4% in constant currency) with Adjusted OIBDA
margin up 1.0 percentage point to 22.1% from 21.1% in the prior
year (or up 1.2 percentage points to 22.1% from 20.9% in constant
currency). The increases in OIBDA and OIBDA margin were primarily
due to the same factors affecting Adjusted OIBDA discussed below
and $41 million of net gain on sale of the Company’s interest in
certain sound recording rights, partially offset by $40 million of
costs related to the Restructuring Plan. The increases in Adjusted
OIBDA and Adjusted OIBDA margin were primarily due to strong
operating performance, the favorable impact of exchange rates and
$19 million of savings from the Restructuring Plan, partially
offset by revenue mix and the impact of an additional week, $15
million from the Copyright Settlement and the $10 million impact of
the mark-to-market adjustment of an earn-out liability related to
an acquisition, all in the prior year. Excluding the impact of an
additional week in the prior year and the Copyright Settlement,
Adjusted OIBDA increased 10.2% (or 13.3% in constant currency) and
Adjusted OIBDA margin increased 1.7 percentage points to 22.1% from
20.4% in the prior year (or increased 1.8 percentage points to
22.1% from 20.3% in constant currency).
Music Publishing
Music
Publishing Summary Results |
|
|
|
|
|
|
|
|
|
|
(dollars
in millions) |
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
|
(unaudited) |
|
(unaudited) |
|
|
Revenue |
$ |
298 |
|
$ |
254 |
|
17 |
% |
|
$ |
1,088 |
|
$ |
958 |
|
14 |
% |
Digital revenue |
|
192 |
|
|
159 |
|
21 |
% |
|
|
669 |
|
|
563 |
|
19 |
% |
Operating income |
|
49 |
|
|
36 |
|
36 |
% |
|
|
200 |
|
|
139 |
|
44 |
% |
Adjusted operating
income(1) |
|
50 |
|
|
37 |
|
35 |
% |
|
|
203 |
|
|
141 |
|
44 |
% |
OIBDA(1) |
|
73 |
|
|
59 |
|
24 |
% |
|
|
293 |
|
|
231 |
|
27 |
% |
Adjusted OIBDA(1) |
|
74 |
|
|
60 |
|
23 |
% |
|
|
296 |
|
|
233 |
|
27 |
% |
|
|
|
|
|
|
|
|
|
|
|
|
(1) See
"Supplemental Disclosures Regarding Non-GAAP Financial Measures" at
the end of this release for details regarding these measures. |
Music
Publishing Revenue |
|
|
|
|
|
|
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
For the Three Months Ended September 30, 2022 |
|
For the Twelve Months Ended September 30,
2023 |
|
For the TwelveMonths Ended September 30, 2022 |
|
For the Twelve Months Ended September 30,
2022 |
|
As reported |
|
As reported |
|
Constant |
|
As reported |
|
As reported |
|
Constant |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Performance |
$ |
43 |
|
$ |
40 |
|
$ |
42 |
|
$ |
173 |
|
$ |
159 |
|
$ |
156 |
Digital |
|
192 |
|
|
159 |
|
|
162 |
|
|
669 |
|
|
563 |
|
|
558 |
Mechanical |
|
17 |
|
|
13 |
|
|
12 |
|
|
63 |
|
|
50 |
|
|
48 |
Synchronization |
|
41 |
|
|
39 |
|
|
40 |
|
|
167 |
|
|
172 |
|
|
170 |
Other |
|
5 |
|
|
3 |
|
|
3 |
|
|
16 |
|
|
14 |
|
|
14 |
Total Music
Publishing |
$ |
298 |
|
$ |
254 |
|
$ |
259 |
|
$ |
1,088 |
|
$ |
958 |
|
$ |
946 |
Fourth-Quarter Results
Music Publishing revenue increased 17.3% (or 15.1% in constant
currency). The increase was driven by growth across all revenue
types. Digital revenue increased 20.8% (or 18.5% in constant
currency), which includes the impact in the prior-year quarter of
$7 million in downloads and other digital revenue from the
Copyright Settlement. Streaming revenue increased 28.4% (or 25.8%
in constant currency), reflecting the continued growth in
streaming, the impact of digital deal renewals, which includes the
Company’s TikTok renewal, and a $14 million quarter-over-quarter
increase in the impact of the CRB Rate Benefit. Adjusted for the
impact of the Copyright Settlement and the CRB Rate Benefit,
digital revenue increased 17.4% (or 15.1% in constant currency) and
streaming revenue increased 19.3% (or 16.9% in constant currency).
Mechanical and performance revenue increased due to timing of
distributions. Synchronization revenue increased primarily due to
stronger performance in the United States. Excluding the Copyright
Settlement and the CRB Rate Benefit, revenue increased 15.2% (or
12.9% in constant currency).
Music Publishing operating income was $49 million compared to
$36 million in the prior-year quarter and operating margin
increased 2.2 percentage points to 16.4% versus 14.2% in the
prior-year quarter. Music Publishing OIBDA increased 23.7% to $73
million (or 19.7% in constant currency) and OIBDA margin increased
1.3 percentage points to 24.5% from 23.2% in the prior-year quarter
(or increased 0.9 percentage points to 24.5% from 23.6% in constant
currency). Adjusted OIBDA increased 23.3% to $74 million (or 19.4%
in constant currency) and Adjusted OIBDA margin increased 1.2
percentage points to 24.8% from 23.6% in the prior-year quarter (or
increased 0.9 percentage points to 24.8% from 23.9% in constant
currency). The increases in operating income, OIBDA and Adjusted
OIBDA were primarily due to strong operating performance and the
favorable impact of exchange rates, partially offset by revenue
mix. Excluding the Copyright Settlement and the CRB Rate Benefit,
Adjusted OIBDA increased 20.7% (or 16.7% in constant currency) and
Adjusted OIBDA margin increased 1.1 percentage points to 24.9% from
23.8% in the prior-year quarter (or increased 0.8 percentage points
to 24.9% from 24.1% in constant currency).
Full-Year Results
Music Publishing revenue increased 13.6% (or 15.0% in constant
currency). The increase was driven by growth in digital,
performance and mechanical revenue. Digital revenue increased 18.8%
(or 19.9% in constant currency), which includes the impact in the
prior year of $7 million in downloads and other digital revenue
from the Copyright Settlement. Streaming revenue increased 21.7%
(or 22.6% in constant currency), reflecting the continued growth in
streaming, the impact of digital deal renewals, which includes the
Company’s TikTok renewal, a previously disclosed revenue true-up of
$9 million in the year and a $4 million year-over-year increase in
the impact of the CRB Rate Benefit. Performance revenue increased
primarily due to continued recovery from COVID disruption in the
first half of the year. Mechanical revenue increased due to a
higher share of physical sales and timing of distributions.
Synchronization revenue decreased due to lower commercial licensing
activity, partially offset by copyright infringement settlements.
Excluding the Copyright Settlement and the CRB Rate Benefit,
revenue increased 14.3% (or 15.8% in constant currency).
Music Publishing operating income was $200 million compared to
$139 million in the prior year and operating margin increased 3.9
percentage points to 18.4% versus 14.5% in the prior year. Music
Publishing OIBDA increased 26.8% to $293 million (or 27.4% in
constant currency) and OIBDA margin increased 2.8 percentage points
to 26.9% from 24.1% in the prior year (or increased 2.6 percentage
points to 26.9% from 24.3% in constant currency). Adjusted OIBDA
increased 27.0% to $296 million (or 27.6% in constant currency) and
Adjusted OIBDA margin increased 2.9 percentage points to 27.2% from
24.3% in the prior year (or increased 2.7 percentage points to
27.2% from 24.5% in constant currency). The increases in operating
income, OIBDA and Adjusted OIBDA were primarily due to strong
operating performance and the favorable impact of exchange rates,
partially offset by revenue mix. Excluding the Copyright Settlement
and the CRB Rate Benefit, Adjusted OIBDA increased 27.8% (or 28.3%
in constant currency) and Adjusted OIBDA margin increased 2.9
percentage points to 27.3% from 24.4% in the prior year (or
increased 2.7 percentage points to 27.3% from 24.6% in constant
currency).
This morning, management will be hosting a conference call to
discuss the results at 8:30 A.M. EST. The call will be webcast on
www.wmg.com.
About Warner Music Group
With a legacy extending back over 200 years, Warner Music Group
today is home to an unparalleled family of creative artists,
songwriters, and companies that are moving culture across the
globe. At the core of WMG’s Recorded Music division are four of the
most iconic companies in history: Atlantic, Elektra, Parlophone and
Warner Records. They are joined by renowned labels such as
TenThousand Projects, 300 Entertainment, Asylum, Big Beat,
Canvasback, East West, Erato, FFRR, Fueled by Ramen, Nonesuch,
Reprise, Rhino, Roadrunner, Sire, Spinnin’ Records, Warner Classics
and Warner Music Nashville. Warner Chappell Music - which traces
its origins back to the founding of Chappell & Company in 1811
- is one of the world's leading music publishers, with a catalog of
more than one million copyrights spanning every musical genre from
the standards of the Great American Songbook to the biggest hits of
the 21st century.
"Safe Harbor" Statement under Private Securities
Litigation Reform Act of 1995
This communication includes forward-looking statements that
reflect the current views of Warner Music Group about future events
and financial performance. Words such as "estimates," "expects,"
"anticipates," "projects," "plans," "intends," "believes,"
"forecasts" and variations of such words or similar expressions
that predict or indicate future events or trends, or that do not
relate to historical matters, identify forward-looking statements.
All forward-looking statements are made as of today, and we
disclaim any duty to update such statements. Our expectations,
beliefs and projections are expressed in good faith, and we believe
there is a reasonable basis for them. However, we cannot assure you
that management's expectations, beliefs and projections will result
or be achieved. Investors should not rely on forward-looking
statements because they are subject to a variety of risks,
uncertainties, and other factors that could cause actual results to
differ materially from our expectations. Please refer to our Form
10-K, Form 10-Qs and our other filings with the U.S. Securities and
Exchange Commission concerning factors that could cause actual
results to differ materially from those described in our
forward-looking statements.
We maintain an Internet site at www.wmg.com. We use our website
as a channel of distribution for material company information.
Financial and other material information regarding Warner Music
Group is routinely posted on and accessible at
http://investors.wmg.com. In addition, you may automatically
receive email alerts and other information about Warner Music Group
by enrolling your email address through the “email alerts” section
at http://investors.wmg.com. Our website and the information posted
on it or connected to it shall not be deemed to be incorporated by
reference into this communication.
Basis of Presentation
Effective for the 2023 fiscal year, the Company’s fiscal year
was modified from a 52-53-week calendar, in which reporting periods
ended on the last Friday of the calendar quarter, to a reporting
calendar in which the reporting periods end on the last day of the
calendar quarter. The Company’s fiscal year will begin on October 1
and end on September 30 of each year. Prior to the start of the
2023 fiscal year, the Company maintained a 52-53 week fiscal year
ending on the last Friday in each reporting period. The fiscal year
ended September 30, 2022 included 53 weeks, with the additional
week falling in the fiscal quarter ended December 31, 2021.
Accordingly, the results of operations for the fiscal year ended
September 30, 2022 reflect 53 weeks, or 371 days, compared to 365
days for the fiscal year ended September 30, 2023.
Figure 1.
Warner Music Group Corp. - Condensed Consolidated Statements of
Operations, Three and Twelve Months Ended September 30, 2023 versus
September 30, 2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
Revenue |
$ |
1,586 |
|
|
$ |
1,497 |
|
|
6 |
% |
Costs and
expenses: |
|
|
|
|
|
Cost of revenue |
|
(845 |
) |
|
|
(799 |
) |
|
6 |
% |
Selling, general and administrative expenses |
|
(473 |
) |
|
|
(470 |
) |
|
1 |
% |
Amortization expense |
|
(57 |
) |
|
|
(65 |
) |
|
-12 |
% |
Total costs and
expenses |
$ |
(1,374 |
) |
|
$ |
(1,334 |
) |
|
3 |
% |
Operating
income |
$ |
212 |
|
|
$ |
163 |
|
|
30 |
% |
Loss on extinguishment of
debt |
|
— |
|
|
|
— |
|
|
— |
% |
Interest expense, net |
|
(36 |
) |
|
|
(31 |
) |
|
16 |
% |
Other income, net |
|
36 |
|
|
|
55 |
|
|
-35 |
% |
Income before income
taxes |
$ |
212 |
|
|
$ |
187 |
|
|
13 |
% |
Income tax expense |
|
(58 |
) |
|
|
(37 |
) |
|
57 |
% |
Net
income |
$ |
154 |
|
|
$ |
150 |
|
|
3 |
% |
Less: Income attributable to
noncontrolling interest |
|
(2 |
) |
|
|
(2 |
) |
|
— |
% |
Net income
attributable to Warner Music Group Corp. |
$ |
152 |
|
|
$ |
148 |
|
|
3 |
% |
|
|
|
|
|
|
Net income per share
attributable to common stockholders: |
|
|
|
|
|
Class A – Basic and Diluted |
$ |
0.29 |
|
|
$ |
0.28 |
|
|
|
Class B – Basic and Diluted |
$ |
0.29 |
|
|
$ |
0.28 |
|
|
|
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(audited) |
|
|
Revenue |
$ |
6,037 |
|
|
$ |
5,919 |
|
|
2 |
% |
Costs and
expenses: |
|
|
|
|
|
Cost of revenue |
|
(3,177 |
) |
|
|
(3,080 |
) |
|
3 |
% |
Selling, general and administrative expenses |
|
(1,826 |
) |
|
|
(1,862 |
) |
|
-2 |
% |
Restructuring |
|
(40 |
) |
|
|
— |
|
|
— |
% |
Amortization expense |
|
(245 |
) |
|
|
(263 |
) |
|
-7 |
% |
Total costs and
expenses |
$ |
(5,288 |
) |
|
$ |
(5,205 |
) |
|
2 |
% |
Net gain on divestiture |
|
41 |
|
|
|
— |
|
|
— |
% |
Operating
income |
$ |
790 |
|
|
$ |
714 |
|
|
11 |
% |
Loss on extinguishment of
debt |
|
(4 |
) |
|
|
— |
|
|
— |
% |
Interest expense, net |
|
(141 |
) |
|
|
(125 |
) |
|
13 |
% |
Other (expense) income,
net |
|
(36 |
) |
|
|
151 |
|
|
— |
% |
Income before income
taxes |
$ |
609 |
|
|
$ |
740 |
|
|
-18 |
% |
Income tax expense |
|
(170 |
) |
|
|
(185 |
) |
|
-8 |
% |
Net
income |
$ |
439 |
|
|
$ |
555 |
|
|
-21 |
% |
Less: Income attributable to
noncontrolling interest |
|
(9 |
) |
|
|
(4 |
) |
|
— |
% |
Net income
attributable to Warner Music Group Corp. |
$ |
430 |
|
|
$ |
551 |
|
|
-22 |
% |
|
|
|
|
|
|
Net income per share
attributable to common stockholders: |
|
|
|
|
|
Class A – Basic and Diluted |
$ |
0.82 |
|
|
$ |
1.06 |
|
|
|
Class B – Basic and Diluted |
$ |
0.82 |
|
|
$ |
1.06 |
|
|
|
Figure 2.
Warner Music Group Corp. - Condensed Consolidated Balance Sheets at
September 30, 2023 versus September 30, 2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
September 30, 2023 |
|
September 30, 2022 |
|
% Change |
|
(unaudited) |
|
|
|
|
Assets |
|
|
|
|
|
Current assets: |
|
|
|
|
|
Cash and equivalents |
$ |
641 |
|
|
$ |
584 |
|
|
10 |
% |
Accounts receivable, net |
|
1,120 |
|
|
|
984 |
|
|
14 |
% |
Inventories |
|
126 |
|
|
|
108 |
|
|
17 |
% |
Royalty advances expected to be recouped within one year |
|
413 |
|
|
|
372 |
|
|
11 |
% |
Prepaid and other current assets |
|
102 |
|
|
|
91 |
|
|
12 |
% |
Total current
assets |
$ |
2,402 |
|
|
$ |
2,139 |
|
|
12 |
% |
Royalty advances expected to
be recouped after one year |
|
688 |
|
|
|
503 |
|
|
37 |
% |
Property, plant and equipment,
net |
|
458 |
|
|
|
415 |
|
|
10 |
% |
Operating lease right-of-use
assets, net |
|
245 |
|
|
|
226 |
|
|
8 |
% |
Goodwill |
|
1,993 |
|
|
|
1,920 |
|
|
4 |
% |
Intangible assets subject to
amortization, net |
|
2,353 |
|
|
|
2,239 |
|
|
5 |
% |
Intangible assets not subject
to amortization |
|
149 |
|
|
|
145 |
|
|
3 |
% |
Deferred tax assets, net |
|
32 |
|
|
|
29 |
|
|
10 |
% |
Other assets |
|
225 |
|
|
|
212 |
|
|
6 |
% |
Total
assets |
$ |
8,545 |
|
|
$ |
7,828 |
|
|
9 |
% |
Liabilities and
Equity |
|
|
|
|
|
Current liabilities: |
|
|
|
|
|
Accounts payable |
$ |
300 |
|
|
$ |
268 |
|
|
12 |
% |
Accrued royalties |
|
2,219 |
|
|
|
1,918 |
|
|
16 |
% |
Accrued liabilities |
|
533 |
|
|
|
457 |
|
|
17 |
% |
Accrued interest |
|
18 |
|
|
|
17 |
|
|
6 |
% |
Operating lease liabilities, current |
|
41 |
|
|
|
40 |
|
|
3 |
% |
Deferred revenue |
|
371 |
|
|
|
423 |
|
|
-12 |
% |
Other current liabilities |
|
57 |
|
|
|
245 |
|
|
-77 |
% |
Total current
liabilities |
$ |
3,539 |
|
|
$ |
3,368 |
|
|
5 |
% |
Long-term debt |
|
3,964 |
|
|
|
3,732 |
|
|
6 |
% |
Operating lease liabilities,
noncurrent |
|
255 |
|
|
|
241 |
|
|
6 |
% |
Deferred tax liabilities,
net |
|
216 |
|
|
|
220 |
|
|
-2 |
% |
Other noncurrent
liabilities |
|
141 |
|
|
|
99 |
|
|
42 |
% |
Total
liabilities |
$ |
8,115 |
|
|
$ |
7,660 |
|
|
6 |
% |
Equity: |
|
|
|
|
|
Class A common stock |
$ |
— |
|
|
$ |
— |
|
|
— |
% |
Class B common stock |
|
1 |
|
|
|
1 |
|
|
— |
% |
Additional paid-in
capital |
|
2,015 |
|
|
|
1,975 |
|
|
2 |
% |
Accumulated deficit |
|
(1,387 |
) |
|
|
(1,477 |
) |
|
-6 |
% |
Accumulated other
comprehensive loss, net |
|
(322 |
) |
|
|
(347 |
) |
|
-7 |
% |
Total Warner Music
Group Corp. equity |
$ |
307 |
|
|
$ |
152 |
|
|
— |
% |
Noncontrolling interest |
|
123 |
|
|
|
16 |
|
|
— |
% |
Total
equity |
|
430 |
|
|
|
168 |
|
|
— |
% |
Total liabilities and
equity |
$ |
8,545 |
|
|
$ |
7,828 |
|
|
9 |
% |
Figure 3.
Warner Music Group Corp. - Summarized Statements of Cash Flows,
Three and Twelve Months Ended September 30, 2023 versus September
30, 2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
(unaudited) |
|
(unaudited) |
Net cash provided by operating activities |
$ |
338 |
|
|
$ |
406 |
|
Net cash used in investing
activities |
|
(196 |
) |
|
|
(61 |
) |
Net cash used in financing
activities |
|
(92 |
) |
|
|
(92 |
) |
Effect of foreign currency
exchange rates on cash and equivalents |
|
(9 |
) |
|
|
(14 |
) |
Net increase in cash and
equivalents |
$ |
41 |
|
|
$ |
239 |
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
(unaudited) |
|
(audited) |
Net cash provided by operating
activities |
$ |
687 |
|
|
$ |
742 |
|
Net cash used in investing
activities |
|
(300 |
) |
|
|
(824 |
) |
Net cash (used in) provided by
financing activities |
|
(325 |
) |
|
|
188 |
|
Effect of foreign currency
exchange rates on cash and equivalents |
|
(5 |
) |
|
|
(21 |
) |
Net increase in cash and
equivalents |
$ |
57 |
|
|
$ |
85 |
|
Figure 4.
Warner Music Group Corp. - Digital Revenue Summary, Three and
Twelve Months Ended September 30, 2023 versus September 30,
2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
Recorded
Music |
|
|
|
|
|
Streaming |
$ |
848 |
|
|
$ |
774 |
|
|
10 |
% |
Downloads and Other Digital |
|
29 |
|
|
|
56 |
|
|
-48 |
% |
Total Recorded Music
Digital Revenue |
$ |
877 |
|
|
$ |
830 |
|
|
6 |
% |
|
|
|
|
|
|
Music
Publishing |
|
|
|
|
|
Streaming |
$ |
190 |
|
|
$ |
148 |
|
|
28 |
% |
Downloads and Other Digital |
|
2 |
|
|
|
11 |
|
|
-82 |
% |
Total Music Publishing
Digital Revenue |
$ |
192 |
|
|
$ |
159 |
|
|
21 |
% |
|
|
|
|
|
|
Consolidated |
|
|
|
|
|
Streaming |
$ |
1,038 |
|
|
$ |
922 |
|
|
13 |
% |
Downloads and Other Digital |
|
31 |
|
|
|
67 |
|
|
-54 |
% |
Intersegment Eliminations |
|
(1 |
) |
|
|
— |
|
|
— |
% |
Total Digital
Revenue |
$ |
1,068 |
|
|
$ |
989 |
|
|
8 |
% |
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
Recorded
Music |
|
|
|
|
|
Streaming |
$ |
3,223 |
|
|
$ |
3,159 |
|
|
2 |
% |
Downloads and Other
Digital |
|
99 |
|
|
|
146 |
|
|
-32 |
% |
Total Recorded Music
Digital Revenue |
$ |
3,322 |
|
|
$ |
3,305 |
|
|
1 |
% |
|
|
|
|
|
|
Music
Publishing |
|
|
|
|
|
Streaming |
$ |
656 |
|
|
$ |
539 |
|
|
22 |
% |
Downloads and Other Digital |
|
13 |
|
|
|
24 |
|
|
-46 |
% |
Total Music Publishing
Digital Revenue |
$ |
669 |
|
|
$ |
563 |
|
|
19 |
% |
|
|
|
|
|
|
Consolidated |
|
|
|
|
|
Streaming |
$ |
3,879 |
|
|
$ |
3,698 |
|
|
5 |
% |
Downloads and Other Digital |
|
112 |
|
|
|
170 |
|
|
-34 |
% |
Intersegment Eliminations |
|
(2 |
) |
|
|
(2 |
) |
|
— |
% |
Total Digital
Revenue |
$ |
3,989 |
|
|
$ |
3,866 |
|
|
3 |
% |
Supplemental Disclosures Regarding Non-GAAP Financial
Measures
We evaluate our operating performance based on several factors,
including the following non-GAAP financial measures:
OIBDA
OIBDA reflects our operating income before non-cash depreciation
of tangible assets and non-cash amortization of intangible assets.
We consider OIBDA to be an important indicator of the operational
strengths and performance of our businesses and believe the
presentation of OIBDA helps improve the ability to understand our
operating performance and evaluate our performance in comparison to
comparable periods. However, a limitation of the use of OIBDA as a
performance measure is that it does not reflect the periodic costs
of certain capitalized tangible and intangible assets used in
generating revenue in our businesses. Accordingly, OIBDA should be
considered in addition to, not as a substitute for, operating
income (loss), net income (loss) and other measures of financial
performance reported in accordance with U.S. GAAP. In addition,
OIBDA, as we calculate it, may not be comparable to similarly
titled measures employed by other companies.
Figure 5.
Warner Music Group Corp. - Reconciliation of Net Income to OIBDA,
Three and Twelve Months Ended September 30, 2023 versus September
30, 2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
Net income attributable to Warner Music Group
Corp. |
$ |
152 |
|
|
$ |
148 |
|
|
3 |
% |
Income attributable to
noncontrolling interest |
|
2 |
|
|
|
2 |
|
|
— |
% |
Net
income |
$ |
154 |
|
|
$ |
150 |
|
|
3 |
% |
Income tax expense |
|
58 |
|
|
|
37 |
|
|
57 |
% |
Income including
income taxes |
$ |
212 |
|
|
$ |
187 |
|
|
13 |
% |
Other income, net |
|
(36 |
) |
|
|
(55 |
) |
|
-35 |
% |
Interest expense, net |
|
36 |
|
|
|
31 |
|
|
16 |
% |
Loss on extinguishment of
debt |
|
— |
|
|
|
— |
|
|
— |
% |
Operating
income |
$ |
212 |
|
|
$ |
163 |
|
|
30 |
% |
Amortization expense |
|
57 |
|
|
|
65 |
|
|
-12 |
% |
Depreciation expense |
|
22 |
|
|
|
17 |
|
|
29 |
% |
OIBDA |
$ |
291 |
|
|
$ |
245 |
|
|
19 |
% |
Operating income
margin |
|
13.4 |
% |
|
|
10.9 |
% |
|
|
OIBDA
margin |
|
18.3 |
% |
|
|
16.4 |
% |
|
|
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
Net income
attributable to Warner Music Group Corp. |
$ |
430 |
|
|
$ |
551 |
|
|
-22 |
% |
Income attributable to
noncontrolling interest |
|
9 |
|
|
|
4 |
|
|
— |
% |
Net
income |
$ |
439 |
|
|
$ |
555 |
|
|
-21 |
% |
Income tax expense |
|
170 |
|
|
|
185 |
|
|
-8 |
% |
Income including
income taxes |
$ |
609 |
|
|
$ |
740 |
|
|
-18 |
% |
Other expense (income),
net |
|
36 |
|
|
|
(151 |
) |
|
— |
% |
Interest expense, net |
|
141 |
|
|
|
125 |
|
|
13 |
% |
Loss on extinguishment of
debt |
|
4 |
|
|
|
— |
|
|
— |
% |
Operating
income |
$ |
790 |
|
|
$ |
714 |
|
|
11 |
% |
Amortization expense |
|
245 |
|
|
|
263 |
|
|
-7 |
% |
Depreciation expense |
|
87 |
|
|
|
76 |
|
|
14 |
% |
OIBDA |
$ |
1,122 |
|
|
$ |
1,053 |
|
|
7 |
% |
Operating income
margin |
|
13.1 |
% |
|
|
12.1 |
% |
|
|
OIBDA
margin |
|
18.6 |
% |
|
|
17.8 |
% |
|
|
Figure 6.
Warner Music Group Corp. - Reconciliation of Segment Operating
Income to OIBDA, Three and Twelve Months Ended September 30, 2023
versus September 30, 2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
Total WMG operating income – GAAP |
$ |
212 |
|
|
$ |
163 |
|
|
30 |
% |
Depreciation and amortization
expense |
|
(79 |
) |
|
|
(82 |
) |
|
-4 |
% |
Total WMG
OIBDA |
$ |
291 |
|
|
$ |
245 |
|
|
19 |
% |
Operating income
margin |
|
13.4 |
% |
|
|
10.9 |
% |
|
|
OIBDA
margin |
|
18.3 |
% |
|
|
16.4 |
% |
|
|
|
|
|
|
|
|
Recorded Music
operating income – GAAP |
$ |
234 |
|
|
$ |
165 |
|
|
42 |
% |
Depreciation and amortization
expense |
|
(45 |
) |
|
|
(54 |
) |
|
-17 |
% |
Recorded Music
OIBDA |
$ |
279 |
|
|
$ |
219 |
|
|
27 |
% |
Recorded Music
operating income margin |
|
18.1 |
% |
|
|
13.3 |
% |
|
|
Recorded Music OIBDA
margin |
|
21.6 |
% |
|
|
17.6 |
% |
|
|
|
|
|
|
|
|
Music Publishing
operating income – GAAP |
$ |
49 |
|
|
$ |
36 |
|
|
36 |
% |
Depreciation and amortization
expense |
|
(24 |
) |
|
|
(23 |
) |
|
4 |
% |
Music Publishing
OIBDA |
$ |
73 |
|
|
$ |
59 |
|
|
24 |
% |
Music Publishing
operating income margin |
|
16.4 |
% |
|
|
14.2 |
% |
|
|
Music Publishing OIBDA
margin |
|
24.5 |
% |
|
|
23.2 |
% |
|
|
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
(unaudited) |
|
(unaudited) |
|
|
Total WMG operating
income – GAAP |
$ |
790 |
|
|
$ |
714 |
|
|
11 |
% |
Depreciation and amortization
expense |
|
(332 |
) |
|
|
(339 |
) |
|
-2 |
% |
Total WMG
OIBDA |
$ |
1,122 |
|
|
$ |
1,053 |
|
|
7 |
% |
Operating income
margin |
|
13.1 |
% |
|
|
12.1 |
% |
|
|
OIBDA
margin |
|
18.6 |
% |
|
|
17.8 |
% |
|
|
|
|
|
|
|
|
Recorded Music
operating income – GAAP |
$ |
875 |
|
|
$ |
796 |
|
|
10 |
% |
Depreciation and amortization
expense |
|
(205 |
) |
|
|
(227 |
) |
|
-10 |
% |
Recorded Music
OIBDA |
$ |
1,080 |
|
|
$ |
1,023 |
|
|
6 |
% |
Recorded Music
operating income margin |
|
17.7 |
% |
|
|
16.0 |
% |
|
|
Recorded Music OIBDA
margin |
|
21.8 |
% |
|
|
20.6 |
% |
|
|
|
|
|
|
|
|
Music Publishing
operating income – GAAP |
$ |
200 |
|
|
$ |
139 |
|
|
44 |
% |
Depreciation and amortization
expense |
|
(93 |
) |
|
|
(92 |
) |
|
1 |
% |
Music Publishing
OIBDA |
$ |
293 |
|
|
$ |
231 |
|
|
27 |
% |
Music Publishing
operating income margin |
|
18.4 |
% |
|
|
14.5 |
% |
|
|
Music Publishing OIBDA
margin |
|
26.9 |
% |
|
|
24.1 |
% |
|
|
Adjusted Operating Income (Loss), Adjusted OIBDA and
Adjusted Net Income (Loss)
Adjusted operating income (loss), Adjusted OIBDA and Adjusted
net income (loss) is operating income (loss), OIBDA and net income
(loss), respectively, adjusted to exclude the impact of certain
items that affect comparability. Factors affecting period-to-period
comparability of the unadjusted measures in the quarter included
the items listed in Figure 7 below. We use Adjusted operating
income (loss), Adjusted OIBDA and Adjusted net income (loss) to
evaluate our actual operating performance. We believe that the
adjusted results provide relevant and useful information for
investors because they clarify our actual operating performance,
make it easier to compare our results with those of other companies
in our industry and allow investors to review performance in the
same way as our management. Since these are not measures of
performance calculated in accordance with U.S. GAAP, they should
not be considered in isolation of, or as a substitute for,
operating income (loss), OIBDA and net income (loss) as indicators
of operating performance, and they may not be comparable to
similarly titled measures employed by other companies.
Figure 7.
Warner Music Group Corp. - Reconciliation of Reported to Adjusted
Results, Three and Twelve Months Ended September 30, 2023 versus
September 30, 2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Total WMG Operating Income |
|
Recorded Music Operating Income |
|
Music Publishing Operating Income |
|
Total WMG OIBDA |
|
Recorded Music OIBDA |
|
Music Publishing OIBDA |
|
Net Income |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Reported Results |
$ |
212 |
|
|
$ |
234 |
|
|
$ |
49 |
|
|
$ |
291 |
|
|
$ |
279 |
|
|
$ |
73 |
|
|
$ |
154 |
|
Factors Affecting
Comparability: |
|
|
|
|
|
|
|
|
|
|
|
|
|
Restructuring and Other Transformation Related Costs |
|
15 |
|
|
|
(1 |
) |
|
|
— |
|
|
|
15 |
|
|
|
(1 |
) |
|
|
— |
|
|
|
15 |
|
Executive Transition Costs |
|
3 |
|
|
|
— |
|
|
|
— |
|
|
|
3 |
|
|
|
— |
|
|
|
— |
|
|
|
3 |
|
Non-Cash Stock-Based Compensation and Other Related Costs |
|
8 |
|
|
|
3 |
|
|
|
1 |
|
|
|
8 |
|
|
|
3 |
|
|
|
1 |
|
|
|
8 |
|
Adjusted Results |
$ |
238 |
|
|
$ |
236 |
|
|
$ |
50 |
|
|
$ |
317 |
|
|
$ |
281 |
|
|
$ |
74 |
|
|
$ |
180 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adjusted Margin |
|
15.0 |
% |
|
|
18.3 |
% |
|
|
16.8 |
% |
|
|
20.0 |
% |
|
|
21.8 |
% |
|
|
24.8 |
% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2022 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Total WMG Operating Income |
|
Recorded Music Operating Income |
|
Music Publishing Operating Income |
|
Total WMG OIBDA |
|
Recorded Music OIBDA |
|
Music Publishing OIBDA |
|
Net Income |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Reported Results |
$ |
163 |
|
|
$ |
165 |
|
|
$ |
36 |
|
|
$ |
245 |
|
|
$ |
219 |
|
|
$ |
59 |
|
|
$ |
150 |
|
Factors Affecting
Comparability: |
|
|
|
|
|
|
|
|
|
|
|
|
|
Restructuring and Other Transformation Related Costs |
|
15 |
|
|
|
4 |
|
|
|
— |
|
|
|
15 |
|
|
|
4 |
|
|
|
— |
|
|
|
15 |
|
Non-Cash Stock-Based Compensation and Other Related Costs |
|
5 |
|
|
|
3 |
|
|
|
1 |
|
|
|
5 |
|
|
|
3 |
|
|
|
1 |
|
|
|
5 |
|
Adjusted Results |
$ |
183 |
|
|
$ |
172 |
|
|
$ |
37 |
|
|
$ |
265 |
|
|
$ |
226 |
|
|
$ |
60 |
|
|
$ |
170 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adjusted Margin |
|
12.2 |
% |
|
|
13.8 |
% |
|
|
14.6 |
% |
|
|
17.7 |
% |
|
|
18.2 |
% |
|
|
23.6 |
% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Total WMG Operating Income |
|
Recorded Music Operating Income |
|
Music Publishing Operating Income |
|
Total WMG OIBDA |
|
Recorded Music OIBDA |
|
Music Publishing OIBDA |
|
Net Income |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Reported Results |
$ |
790 |
|
|
$ |
875 |
|
|
$ |
200 |
|
|
$ |
1,122 |
|
|
$ |
1,080 |
|
|
$ |
293 |
|
|
$ |
439 |
|
Factors Affecting
Comparability: |
|
|
|
|
|
|
|
|
|
|
|
|
|
Restructuring and Other Transformation Related Costs |
|
95 |
|
|
|
40 |
|
|
|
— |
|
|
|
95 |
|
|
|
40 |
|
|
|
— |
|
|
|
95 |
|
Executive Transition Costs |
|
7 |
|
|
|
— |
|
|
|
— |
|
|
|
7 |
|
|
|
— |
|
|
|
— |
|
|
|
7 |
|
Gain on Divestiture |
|
(41 |
) |
|
|
(41 |
) |
|
|
— |
|
|
|
(41 |
) |
|
|
(41 |
) |
|
|
— |
|
|
|
(41 |
) |
Non-Cash Stock-Based Compensation and Other Related Costs |
|
52 |
|
|
|
14 |
|
|
|
3 |
|
|
|
52 |
|
|
|
14 |
|
|
|
3 |
|
|
|
52 |
|
Adjusted Results |
$ |
903 |
|
|
$ |
888 |
|
|
$ |
203 |
|
|
$ |
1,235 |
|
|
$ |
1,093 |
|
|
$ |
296 |
|
|
$ |
552 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adjusted Margin |
|
15.0 |
% |
|
|
17.9 |
% |
|
|
18.7 |
% |
|
|
20.5 |
% |
|
|
22.1 |
% |
|
|
27.2 |
% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2022 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Total WMG Operating Income |
|
Recorded Music Operating Income |
|
Music Publishing Operating Income |
|
Total WMG OIBDA |
|
Recorded Music OIBDA |
|
Music Publishing OIBDA |
|
Net Income |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Reported Results |
$ |
714 |
|
|
$ |
796 |
|
|
$ |
139 |
|
|
$ |
1,053 |
|
|
$ |
1,023 |
|
|
$ |
231 |
|
|
$ |
555 |
|
Factors Affecting
Comparability: |
|
|
|
|
|
|
|
|
|
|
|
|
|
Restructuring and Other Transformation Related Costs |
|
54 |
|
|
|
8 |
|
|
|
— |
|
|
|
54 |
|
|
|
8 |
|
|
|
— |
|
|
|
54 |
|
Non-Cash Stock-Based Compensation and Other Related Costs |
|
42 |
|
|
|
15 |
|
|
|
2 |
|
|
|
42 |
|
|
|
15 |
|
|
|
2 |
|
|
|
42 |
|
Adjusted Results |
$ |
810 |
|
|
$ |
819 |
|
|
$ |
141 |
|
|
$ |
1,149 |
|
|
$ |
1,046 |
|
|
$ |
233 |
|
|
$ |
651 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adjusted Margin |
|
13.7 |
% |
|
|
16.5 |
% |
|
|
14.7 |
% |
|
|
19.4 |
% |
|
|
21.1 |
% |
|
|
24.3 |
% |
|
|
Constant Currency
Because exchange rates are an important factor in understanding
period-to-period comparisons, we believe the presentation of
revenue on a constant-currency basis in addition to reported
revenue helps improve the ability to understand our operating
results and evaluate our performance in comparison to prior
periods. Constant-currency information compares results between
periods as if exchange rates had remained constant period over
period. We use results on a constant-currency basis as one measure
to evaluate our performance. We calculate constant-currency results
by applying current-year foreign currency exchange rates to
prior-year results. However, a limitation of the use of the
constant-currency results as a performance measure is that it does
not reflect the impact of exchange rates on our revenue. These
results should be considered in addition to, not as a substitute
for, results reported in accordance with U.S. GAAP. Results on a
constant-currency basis, as we present them, may not be comparable
to similarly titled measures used by other companies and are not a
measure of performance presented in accordance with U.S. GAAP.
Figure 8.
Warner Music Group Corp. - Revenue by Geography and Segment, Three
and Twelve Months Ended September 30, 2023 versus September 30,
2022 As Reported and Constant Currency |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
As reported |
|
As reported |
|
Constant |
|
Constant |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
U.S. revenue |
|
|
|
|
|
|
|
Recorded Music |
$ |
566 |
|
|
$ |
590 |
|
|
$ |
590 |
|
|
-4 |
% |
Music Publishing |
|
167 |
|
|
|
144 |
|
|
|
144 |
|
|
16 |
% |
International revenue |
|
|
|
|
|
|
|
Recorded Music |
|
725 |
|
|
|
654 |
|
|
|
670 |
|
|
8 |
% |
Music Publishing |
|
131 |
|
|
|
110 |
|
|
|
115 |
|
|
14 |
% |
Intersegment eliminations |
|
(3 |
) |
|
|
(1 |
) |
|
|
(2 |
) |
|
50 |
% |
Total
Revenue |
$ |
1,586 |
|
|
$ |
1,497 |
|
|
$ |
1,517 |
|
|
5 |
% |
|
|
|
|
|
|
|
|
Revenue by
Segment: |
|
|
|
|
|
|
|
Recorded Music |
|
|
|
|
|
|
|
Digital |
$ |
877 |
|
|
$ |
830 |
|
|
$ |
836 |
|
|
5 |
% |
Physical |
|
130 |
|
|
|
123 |
|
|
|
123 |
|
|
6 |
% |
Total Digital and Physical |
|
1,007 |
|
|
|
953 |
|
|
|
959 |
|
|
5 |
% |
Artist services and expanded-rights |
|
189 |
|
|
|
204 |
|
|
|
212 |
|
|
-11 |
% |
Licensing |
|
95 |
|
|
|
87 |
|
|
|
89 |
|
|
7 |
% |
Total Recorded
Music |
|
1,291 |
|
|
|
1,244 |
|
|
|
1,260 |
|
|
2 |
% |
Music Publishing |
|
|
|
|
|
|
|
Performance |
|
43 |
|
|
|
40 |
|
|
|
42 |
|
|
2 |
% |
Digital |
|
192 |
|
|
|
159 |
|
|
|
162 |
|
|
19 |
% |
Mechanical |
|
17 |
|
|
|
13 |
|
|
|
12 |
|
|
42 |
% |
Synchronization |
|
41 |
|
|
|
39 |
|
|
|
40 |
|
|
3 |
% |
Other |
|
5 |
|
|
|
3 |
|
|
|
3 |
|
|
67 |
% |
Total Music
Publishing |
|
298 |
|
|
|
254 |
|
|
|
259 |
|
|
15 |
% |
Intersegment eliminations |
|
(3 |
) |
|
|
(1 |
) |
|
|
(2 |
) |
|
50 |
% |
Total
Revenue |
$ |
1,586 |
|
|
$ |
1,497 |
|
|
$ |
1,517 |
|
|
5 |
% |
|
|
|
|
|
|
|
|
Total Digital
Revenue |
$ |
1,068 |
|
|
$ |
989 |
|
|
$ |
997 |
|
|
7 |
% |
|
|
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
As reported |
|
As reported |
|
Constant |
|
Constant |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
U.S. revenue |
|
|
|
|
|
|
|
Recorded Music |
$ |
2,184 |
|
|
$ |
2,231 |
|
|
$ |
2,231 |
|
|
-2 |
% |
Music Publishing |
|
582 |
|
|
|
513 |
|
|
|
513 |
|
|
13 |
% |
International revenue |
|
|
|
|
|
|
|
Recorded Music |
|
2,771 |
|
|
|
2,735 |
|
|
|
2,636 |
|
|
5 |
% |
Music Publishing |
|
506 |
|
|
|
445 |
|
|
|
433 |
|
|
17 |
% |
Intersegment eliminations |
|
(6 |
) |
|
|
(5 |
) |
|
|
(5 |
) |
|
20 |
% |
Total
Revenue |
$ |
6,037 |
|
|
$ |
5,919 |
|
|
$ |
5,808 |
|
|
4 |
% |
|
|
|
|
|
|
|
|
Revenue by
Segment: |
|
|
|
|
|
|
|
Recorded Music |
|
|
|
|
|
|
|
Digital |
$ |
3,322 |
|
|
$ |
3,305 |
|
|
$ |
3,245 |
|
|
2 |
% |
Physical |
|
507 |
|
|
|
563 |
|
|
|
544 |
|
|
-7 |
% |
Total Digital and Physical |
|
3,829 |
|
|
|
3,868 |
|
|
|
3,789 |
|
|
1 |
% |
Artist services and expanded-rights |
|
744 |
|
|
|
767 |
|
|
|
755 |
|
|
-1 |
% |
Licensing |
|
382 |
|
|
|
331 |
|
|
|
323 |
|
|
18 |
% |
Total Recorded
Music |
|
4,955 |
|
|
|
4,966 |
|
|
|
4,867 |
|
|
2 |
% |
Music Publishing |
|
|
|
|
|
|
|
Performance |
|
173 |
|
|
|
159 |
|
|
|
156 |
|
|
11 |
% |
Digital |
|
669 |
|
|
|
563 |
|
|
|
558 |
|
|
20 |
% |
Mechanical |
|
63 |
|
|
|
50 |
|
|
|
48 |
|
|
31 |
% |
Synchronization |
|
167 |
|
|
|
172 |
|
|
|
170 |
|
|
-2 |
% |
Other |
|
16 |
|
|
|
14 |
|
|
|
14 |
|
|
14 |
% |
Total Music
Publishing |
|
1,088 |
|
|
|
958 |
|
|
|
946 |
|
|
15 |
% |
Intersegment eliminations |
|
(6 |
) |
|
|
(5 |
) |
|
|
(5 |
) |
|
20 |
% |
Total
Revenue |
$ |
6,037 |
|
|
$ |
5,919 |
|
|
$ |
5,808 |
|
|
4 |
% |
|
|
|
|
|
|
|
|
Total Digital
Revenue |
$ |
3,989 |
|
|
$ |
3,866 |
|
|
$ |
3,801 |
|
|
5 |
% |
Figure 9.
Warner Music Group Corp. - OIBDA and Adjusted OIBDA by Segment,
Three and Twelve Months Ended September 30, 2023 versus September
30, 2022 As Reported and Constant Currency |
|
|
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
For the Three Months Ended September 30, 2022 |
|
% Change |
|
As reported |
|
As reported |
|
Constant |
|
Constant |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Total WMG OIBDA |
$ |
291 |
|
|
$ |
245 |
|
|
$ |
249 |
|
|
17 |
% |
OIBDA margin |
|
18.3 |
% |
|
|
16.4 |
% |
|
|
16.4 |
% |
|
|
Total WMG Adjusted OIBDA |
$ |
317 |
|
|
$ |
265 |
|
|
$ |
269 |
|
|
18 |
% |
Adjusted OIBDA margin |
|
20.0 |
% |
|
|
17.7 |
% |
|
|
17.7 |
% |
|
|
|
|
|
|
|
|
|
|
Recorded Music OIBDA |
$ |
279 |
|
|
$ |
219 |
|
|
$ |
221 |
|
|
26 |
% |
Recorded Music OIBDA
margin |
|
21.6 |
% |
|
|
17.6 |
% |
|
|
17.5 |
% |
|
|
Recorded Music Adjusted
OIBDA |
$ |
281 |
|
|
$ |
226 |
|
|
$ |
228 |
|
|
23 |
% |
Recorded Music Adjusted OIBDA
margin |
|
21.8 |
% |
|
|
18.2 |
% |
|
|
18.1 |
% |
|
|
|
|
|
|
|
|
|
|
Music Publishing OIBDA |
$ |
73 |
|
|
$ |
59 |
|
|
$ |
61 |
|
|
20 |
% |
Music Publishing OIBDA
margin |
|
24.5 |
% |
|
|
23.2 |
% |
|
|
23.6 |
% |
|
|
Music Publishing Adjusted
OIBDA |
$ |
74 |
|
|
$ |
60 |
|
|
$ |
62 |
|
|
19 |
% |
Music Publishing Adjusted
OIBDA margin |
|
24.8 |
% |
|
|
23.6 |
% |
|
|
23.9 |
% |
|
|
|
|
|
|
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
For the Twelve Months Ended September 30,
2022 |
|
% Change |
|
As reported |
|
As reported |
|
Constant |
|
Constant |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Total WMG OIBDA |
$ |
1,122 |
|
|
$ |
1,053 |
|
|
$ |
1,024 |
|
|
10 |
% |
OIBDA margin |
|
18.6 |
% |
|
|
17.8 |
% |
|
|
17.6 |
% |
|
|
Total WMG Adjusted OIBDA |
$ |
1,235 |
|
|
$ |
1,149 |
|
|
$ |
1,120 |
|
|
10 |
% |
Adjusted OIBDA margin |
|
20.5 |
% |
|
|
19.4 |
% |
|
|
19.3 |
% |
|
|
|
|
|
|
|
|
|
|
Recorded Music OIBDA |
$ |
1,080 |
|
|
$ |
1,023 |
|
|
$ |
995 |
|
|
9 |
% |
Recorded Music OIBDA
margin |
|
21.8 |
% |
|
|
20.6 |
% |
|
|
20.4 |
% |
|
|
Recorded Music Adjusted
OIBDA |
$ |
1,093 |
|
|
$ |
1,046 |
|
|
$ |
1,018 |
|
|
7 |
% |
Recorded Music Adjusted OIBDA
margin |
|
22.1 |
% |
|
|
21.1 |
% |
|
|
20.9 |
% |
|
|
|
|
|
|
|
|
|
|
Music Publishing OIBDA |
$ |
293 |
|
|
$ |
231 |
|
|
$ |
230 |
|
|
27 |
% |
Music Publishing OIBDA
margin |
|
26.9 |
% |
|
|
24.1 |
% |
|
|
24.3 |
% |
|
|
Music Publishing Adjusted
OIBDA |
$ |
296 |
|
|
$ |
233 |
|
|
$ |
232 |
|
|
28 |
% |
Music Publishing Adjusted
OIBDA margin |
|
27.2 |
% |
|
|
24.3 |
% |
|
|
24.5 |
% |
|
|
Free Cash Flow
Our definition of Free Cash Flow is defined as cash flow
provided by operating activities less capital expenditures. We use
Free Cash Flow, among other measures, to evaluate our operating
performance. Management believes Free Cash Flow provides investors
with an important perspective on the cash available to fund our
debt service requirements, ongoing working capital requirements,
capital expenditure requirements, strategic acquisitions and
investments, and any dividends, prepayments of debt or repurchases
or retirement of our outstanding debt or notes in open market
purchases, privately negotiated purchases, any repurchases of our
common stock or otherwise. As a result, Free Cash Flow is a
significant measure of our ability to generate long-term value. It
is useful for investors to know whether this ability is being
enhanced or degraded as a result of our operating performance. We
believe the presentation of Free Cash Flow is relevant and useful
for investors because it allows investors to view performance in a
manner similar to the method management uses.
Free Cash Flow is not a measure of performance calculated in
accordance with U.S. GAAP and therefore it should not be considered
in isolation of, or as a substitute for, net income (loss) as an
indicator of operating performance or cash flow provided by
operating activities as a measure of liquidity. Free Cash Flow, as
we calculate it, may not be comparable to similarly titled measures
employed by other companies. In addition, Free Cash Flow does not
necessarily represent funds available for discretionary use and is
not necessarily a measure of our ability to fund our cash needs.
Because Free Cash Flow deducts capital expenditures from “net cash
provided by operating activities” (the most directly comparable
U.S. GAAP financial measure), users of this information should
consider the types of events and transactions that are not
reflected. We provide below a reconciliation of Free Cash Flow to
the most directly comparable amount reported under U.S. GAAP, which
is “net cash provided by operating activities.”
Figure 10.
Warner Music Group Corp. - Calculation of Free Cash Flow, Three and
Twelve Months Ended September 30, 2023 versus September 30,
2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
For the Three Months Ended September 30, 2023 |
|
For the Three Months Ended September 30, 2022 |
|
(unaudited) |
|
(unaudited) |
Net cash provided by operating activities |
$ |
338 |
|
$ |
406 |
Less: Capital
expenditures |
|
38 |
|
|
38 |
|
|
|
|
Free Cash
Flow |
$ |
300 |
|
$ |
368 |
|
|
|
|
|
For the Twelve Months Ended September 30,
2023 |
|
For the Twelve Months Ended September 30,
2022 |
|
(unaudited) |
|
(unaudited) |
Net cash provided by
operating activities |
$ |
687 |
|
$ |
742 |
Less: Capital
expenditures |
|
127 |
|
|
135 |
|
|
|
|
Free Cash
Flow |
$ |
560 |
|
$ |
607 |
Adjusted EBITDA
Adjusted EBITDA is equivalent to “EBITDA” as defined in our
Revolving Credit Facility and our 2020 indenture and substantially
similar to “EBITDA” as defined under our Senior Term Loan Facility,
respectively. Adjusted EBITDA differs from the term “EBITDA” as it
is commonly used. The definition of Adjusted EBITDA, in addition to
adjusting net income to exclude interest expense, income taxes, and
depreciation and amortization, also adjusts net income by excluding
items or expenses such as, among other items, (1) the amount of any
restructuring charges or reserves; (2) any non-cash charges
(including any impairment charges); (3) any net loss resulting from
hedging currency exchange risks; (4) business optimization expenses
(including consolidation initiatives, severance costs and other
costs relating to initiatives aimed at profitability improvement);
(5) transaction expenses; (6) equity-based compensation expense;
and (7) certain extraordinary, unusual or non-recurring items. The
definition of EBITDA under the Revolving Credit Facility also
includes adjustments for the pro forma impact of certain projected
cost savings, operating expense reductions and synergies and any
quality of earnings analysis prepared by independent certified
public accountants in connection with an acquisition, merger,
consolidation or other investment.
Adjusted EBITDA is a key measure used by our management to
understand and evaluate our operating performance, generate future
operating plans and make strategic decisions regarding the
allocation of capital. Adjusted EBITDA has limitations as an
analytical tool, and you should not consider it in isolation or as
a substitute for analysis of our results as reported under U.S.
GAAP. Some of those limitations include: (1) it does not reflect
the periodic costs of certain capitalized tangible and intangible
assets used in generating revenue for our business; (2) it does not
reflect the significant interest expense or cash requirements
necessary to service interest or principal payments on our
indebtedness; and (3) it does not reflect every cash expenditure,
future requirements for capital expenditures or contractual
commitments. In particular, this measure adds back certain
non-cash, extraordinary, unusual or non-recurring charges that are
deducted in calculating net income; however, these are expenses
that may recur, vary greatly and are difficult to predict. In
addition, Adjusted EBITDA is not the same as net income or cash
flow provided by operating activities as those terms are defined by
U.S. GAAP and does not necessarily indicate whether cash flows will
be sufficient to fund cash needs. Accordingly, Adjusted EBITDA
should be considered in addition to, not as a substitute for, net
income (loss) and other measures of financial performance reported
in accordance with U.S. GAAP.
Figure
11. Warner Music Group Corp. - Reconciliation of Net Income to
Adjusted EBITDA, Three and Twelve Months Ended September 30, 2023
versus September 30, 2022 |
(dollars in
millions) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Three Months EndedSeptember 30,
2023 |
|
For the Three Months EndedSeptember 30,
2022 |
|
For the Twelve Months EndedSeptember 30,
2023 |
|
For the Twelve Months EndedSeptember 30,
2022 |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
|
(unaudited) |
Net Income |
$ |
154 |
|
|
$ |
150 |
|
|
$ |
439 |
|
|
$ |
555 |
|
Income tax expense |
|
58 |
|
|
|
37 |
|
|
|
170 |
|
|
|
185 |
|
Interest expense, net |
|
36 |
|
|
|
31 |
|
|
|
141 |
|
|
|
125 |
|
Depreciation and
amortization |
|
79 |
|
|
|
82 |
|
|
|
332 |
|
|
|
339 |
|
Loss on extinguishment of debt
(a) |
|
— |
|
|
|
— |
|
|
|
4 |
|
|
|
— |
|
Net (gains) losses on
divestitures and sale of securities (b) |
|
— |
|
|
|
— |
|
|
|
(42 |
) |
|
|
9 |
|
Restructuring costs (c) |
|
9 |
|
|
|
11 |
|
|
|
58 |
|
|
|
22 |
|
Net foreign exchange (gains)
losses (d) |
|
(37 |
) |
|
|
(67 |
) |
|
|
43 |
|
|
|
(195 |
) |
Transaction costs (e) |
|
3 |
|
|
|
— |
|
|
|
3 |
|
|
|
8 |
|
Business optimization expenses
(f) |
|
24 |
|
|
|
11 |
|
|
|
68 |
|
|
|
54 |
|
Non-cash stock-based
compensation expense (g) |
|
8 |
|
|
|
5 |
|
|
|
49 |
|
|
|
39 |
|
Other non-cash charges
(h) |
|
(1 |
) |
|
|
11 |
|
|
|
— |
|
|
|
23 |
|
Pro forma impact of cost
savings initiatives and specified transactions (i) |
|
7 |
|
|
|
5 |
|
|
|
46 |
|
|
|
32 |
|
Adjusted
EBITDA |
$ |
340 |
|
|
$ |
276 |
|
|
$ |
1,311 |
|
|
$ |
1,196 |
|
______________________________________ |
(a) |
Reflects loss on extinguishment of debt, primarily including tender
fees and unamortized deferred financing costs. |
(b) |
Reflects net losses (gains) on
sale of securities and divestitures. |
(c) |
Reflects severance costs and
other restructuring related expenses. |
(d) |
Reflects unrealized losses
(gains) due to foreign exchange on our Euro-denominated debt,
losses (gains) from hedging activities and intercompany
transactions. |
(e) |
Reflects mainly transaction
related costs. |
(f) |
Reflects costs associated with
our transformation initiatives and IT system updates, which
includes costs of $14 million and $48 million related to our
finance transformation and other related costs for the three and
twelve months ended September 30, 2023, respectively, as well
as $9 million and $40 million for the three and twelve months ended
September 30, 2022, respectively. |
(g) |
Reflects non-cash stock-based
compensation expense related to the Omnibus Incentive Plan and the
Warner Music Group Corp. Senior Management Free Cash Flow
Plan. |
(h) |
Reflects non-cash activity,
including the unrealized losses (gains) on the mark-to-market
adjustment of equity investments, investment losses (gains),
mark-to-market adjustments of an earn-out liability in 2022 and
other non-cash impairments. |
(i) |
Reflects expected savings
resulting from transformation initiatives and the pro forma impact
of certain specified transactions for the three and twelve months
ended September 30, 2023. Certain of these cost savings
initiatives and transactions impacted quarters prior to the quarter
during which they were identified within the last twelve-month
period. The pro forma impact of these specified transactions and
initiatives resulted in a $2 million increase in the twelve months
ended September 30, 2023 Adjusted EBITDA. |
Media Contact: |
Investor Contact: |
James
Steven |
Kareem Chin |
(212)
275-2213 |
|
James.Steven@wmg.com |
Investor.Relations@wmg.com |
Warner Music (NASDAQ:WMG)
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