Musical America Worldwide Directory Announces 2007 Honorees of the Year
21 Dezembro 2006 - 1:00PM
PR Newswire (US)
Bernard Haitink, William Bolcom, Pierre-Laurent Aimard, Barbara
Cook, and Michael M. Kaiser Honored in Reception at Lincoln Center
NEW YORK, Dec. 21 /PRNewswire/ -- The Musical America International
Directory of the Performing Arts honored its 2007 Award recipients
at a ceremony held today at Lincoln Center's Kaplan Space. The top
honor of Musician of the Year went to the eminent Dutch conductor
Bernard Haitink, recently appointed principal conductor of the
Chicago Symphony Orchestra. Also recognized were William Bolcom,
Composer of the Year; Pierre-Laurent Aimard, Instrumentalist of the
Year; Barbara Cook, Vocalist of the Year; and Michael M. Kaiser,
Impresario of the Year. Musician of the Year: Bernard Haitink In a
distinguished 50-year career, Bernard Haitink has been a welcome
guest at every major international orchestra. His three-year
appointment in Chicago is only the most recent of many prestigious
posts: music director of Amsterdam's famed Concertgebouw Orchestra
(1964-88), London Philharmonic (1967-79), Glyndebourne Festival
(1978-88), and the Royal Opera, Covent Garden (1988-2002). He has
maintained a close relationship with the Boston Symphony for over
three decades and served as principal guest conductor from 1995 to
2004. Haitink's career may be traced by his hundreds of recordings
for Philips with the Concertgebouw, Vienna and Berlin
Philharmonics, and Boston Symphony. Opera recordings include works
by Wagner, Mozart, Britten, Verdi, R. Strauss, Bartok, and Janacek
on EMI Classics, and Debussy on Naive. Most recently he has
recorded a highly acclaimed Beethoven symphony cycle with the
London Symphony Orchestra for its own label, LSO LIVE. Composer of
the Year: William Bolcom This is a banner year for American
composer William Bolcom. Last month he received a National Medal of
Arts at a White House ceremony; Placido Domingo sang the premiere
of his Canciones de Lorca in October; and he is currently at work
on his fourth opera and eighth symphony, which will receive their
premieres during his 70th-birthday year in 2008. A prolific
composer of operas, symphonies, hundreds of songs, numerous
concertos, chamber and solo works, and cabaret and theater pieces,
he is perhaps best known for his monumental Songs of Innocence and
Experience, a 1984 setting of William Blake's 46-poem, two-part
cycle. The recent Naxos recording conducted by Leonard Slatkin
garnered three Grammy Awards. Instrumentalist of the Year:
Pierre-Laurent Aimard "New music and old, newly viewed," sums up
the ear-opening artistry of French pianist Pierre-Laurent Aimard.
He has worked with and been praised by such leading composers of
our time as Olivier Messiaen, Pierre Boulez, and Gyorgy Ligeti. He
is equally acclaimed in mainstream repertory, notably on CD in
Beethoven concertos and Schumann piano music. His growing
international renown is further demonstrated by auspicious
residencies this season at Carnegie Hall and at the Berlin
Philharmonic. Vocalist of the Year: Barbara Cook Barbara Cook is
celebrated as the quintessential voice of Broadway's golden age.
She is famed as the original Cunegonde in Leonard Bernstein's
Candide (1956) and Marian the Librarian in Meredith Willson's The
Music Man (1957), for which she won a Tony as best featured actress
in a musical, and more recently as Sally Durant in the legendary
New York Philharmonic concert presentation of Stephen Sondheim's
Follies (1985). Nightclub, cabaret, and concert performances have
also revealed her mastery of the classic pop ballad and
contemporary musical theater, and in 2006 she became the first
"popular" singer officially presented in concert by the
Metropolitan Opera. Impresario of the Year: Michael M. Kaiser In
his five years as president of Washington, D.C.'s Kennedy Center,
Michael M. Kaiser has been widely praised for broadening and
unifying the Center's constituents, establishing an individual
profile to the Center's offerings, and providing increased
financial stability to operations. In the words of the Washington
Post's Tim Page, "he has transformed the programming, and
Washington is a more diverse, fertile, and altogether more
interesting place for the arts than it has ever been." About
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